Boris FX SynthEyes – 1-Year Subscription Boris FX

What can SynthEyes help you do?

You can use SynthEyes to help insert animated creatures or vehicles; stabilize shaky conventional or 360°VR shots; extend or fix a set; add virtual sets to green-screen shoots; replace signs or insert monitor images; remove unwanted objects from shots; produce 360° virtual reality or 3D stereoscopic films; create architectural previews; reconstruct accidents or crashes; do product placements after the shoot; move imagery from one shot to another; add 3D cybernetic implants, cosmetic effects, or injuries to actors; produce panoramic backdrops or clean plates; build textured 3-D meshes from images; add 3-D particle effects; or capture body motion to drive computer-generated characters. And those are just the more common uses; we’re sure you can think of more.

Features

The Latest SynthEyes 2024 Features

• Official release of the “Maya ASCII Updated exporter, a full feature exporter including embedded meshes, workarea controls, distortion projection screens, Arnold or native renderers, etc etc. Includes support for uncentered lenses in zero-pass workflows, in conjunction with new Maya pipes in the Nuke and Fusion exports. Improved in SynthEyes 2024 with fast generation of high-quality edge lists and new documentation.
• Official release of the “TDE4 Data File Export” to 3D Equalizer (with included python script), so that finished scenes may be exported from SynthEyes to Science-D-Vision’s 3D Equalizer for use at facilities with 3DE-specific pipelines. Now updated to operate with 3DE versions 5-7 and documented.
• New “Lens/Grid Calibration Setup” script for solving for lens grid distortions using any lens model. See the writeup in the Camera Calibration manual.
• Nuke and Fusion exporter upgrades for zero-pass workflows, in conjunction with the Maya ASCII Updated exporter.
• New Vertex Cache Control Panel with new frame# offset control to time-shift the vertex cache. Launched from the 3-D panel with a mesh selected. It also includes the file and axis mode setting.
• New “Mesh/Alembic Single Mesh” exporter, which exports just a single (typically deforming) mesh in alembic format, for use as a vertex cache in other apps.
• Refinements to pinning logic so that when a mesh is parented to a moving object, you can adjust the mesh OR the object.
• Helper points now have color, lock, show/hide, and exportable attributes like other object types, accessed from the Hierarchy View and 3-D panel.

Scene Exports

• Included exporters for:    

• Animated stabilization and distortion maps can be exported using distortion maps, for packages supporting them.
• Similarly, animated lens distortion projection screens are written by various exporters.
• SynthEyes’s Multiple-export system can write several different output formats in a single step, placing them in different subfolders if desired.
• Flexible generic ASCII text exporters for tracker 2-D paths and 3-D positions, camera/object paths, animated illumination.
• Features vary from exporter to exporter. 
• Certain older exporters are found in the File/Export/Older submenu; look there if you can’t find a listed export.

Types of Shots

• Camera tracking
• Moving-object tracking (of geometry or via trackers, singly or in hierarchies, with or without a known mesh)
• Stereoscopic tracking (stereo features not available in Intro version)
• Fully automatic match-moving for straightforward shots
• Rapid supervised tracking for difficult tracks.
• Fixed (known or unknown) or zooming lens field of view
• Manual or automated lens distortion calculation
• Nodal solving: compute camera pan/tilt and tracker directions when camera was mounted on a tripod (ie computes a ~2½-D track because 3-D is not possible)
• Nodal shots down to a single tracker in whole in part, with automatic roll lock.
• Mixed nodal and translating shots
• Nodal “all-far” stereoscopic shots
• 360° Virtual Reality shots (spherical equirectangular)
• Multiple cameras and moving objects with simultaneous solving, including mixes such as tripod-mounted camera(2½-D) with moving object(3-D), or a video shot plus digital camera reference stills
• Survey shots: multiple stills taken from different locations, possibly with different image formats and zoom.
• Motion Capture — for faces or whole bodies, using multiple cameras. Single-camera mixed rigid- and deforming- facial mocap. Conversion to joint angles for BVH export.

Image Preprocessor

• Flexible image preprocessing engine for easier tracking and RAM storage of large film-resolution shots (Intro version: RAM cache limited to 1.25 GB).
• Disk Caching complements RAM caching (Pro only).
• Image stabilization engine, directable by user, integrated with 3-D tracking.
• Image format re-sampling and aspect changes.
• Kurves spline-based color correction (Y, R, G, B, S).
• Traditional hue/saturation and animated level adjustments.
• 1D and 3D Color LUTs: .3dl .cube .csp .ilut .olut .1dlut
• Color adjustment settings can be written as a .cube 3D LUT for reuse in SynthEyes or other applications.
• R/G/B channel selection and inversion.
• Blur to remove film grain and compression artifacts.
• Additional Noise Reduction algorithm.
• Additional separate luma and chroma blurs for DNG noise reduction.
• High-pass filter for varying lighting, such as strobes and explosions.
• Lens distortion removal—animate for zooms with distortion.
• Classic (quadratic/cubic/quartic), advanced (radial-4, anamorphic-6, fisheye), image-based, or table-based distortion models.
• Import and Export lens distortion as color-coded image maps for standardized interchange with other applications.
• Optic axis re-centering.
• DeRez to maximize RAM cache.
• Mirror imaging for mirror-based stereo rigs.
• Create and restore image preprocessor presets; presets can affect some or all image preprocessor controls.
• Save processed image sequence to disk (see Scene Exports).
• For QC checks of 2-pass lens distortion workflows, render meshes with distortion matching the original footage, overlaid on the raw imagery or over black for external compositing.
• Reapply lens distortion and cropping for total lens distortion workflow.
• Conversion back and forth between normal perspective and 360° spherical virtual reality shots.
• Selectable resampling filter.
• 8-bit, 16-bit fixed, 32-bit float processing available, storage in those formats plus 16-bit float.
• Separate alpha image sequences can be attached.
• Use for geometric conform of stereo shots.
• PrepSet Manager so configurations can be saved and reused from shot to shot or project.
• Animated Region of Interest to reduce RAM on object-tracking shots.
• Multi-threaded image fetch for high performance.

Lens Calibration

• Rectify Lens Grid for “just fix it” unmodeled lens distortion correction, especially for complex lens types. Tilt detection and correction if grid spacing and camera-to-grid measurements are available.
• Lens Master Calibration system handles linear, inverse linear, anamorphic lenses (except in SynthEyes Intro), and four fisheye lens variants.
• Quadratic, cubic, and quartic distortions on top of those lens types.
• Calibration based on arrays of dots, checkerboards, straight-line features, or XYZ data.
• Remarkable “zero-knowledge” Random-Dot calibration method produces rich dataset for accurate reference calibrations.
• Calibration can produce presets for 1-pass (deliver undistorted), 2-pass (deliver original distortion), and 360VR conversion workflows.
• Calibration can produce preset files for use with SynthEyes, or image distortion maps for use by other applications (as well as SynthEyes).
• Two types of projection screen can be created for image undistortion or redistortion in 3-D applications.
• Image preprocessor can remove distortion, or apply distortion to external renders, so they can be composited with the original shots.
• Solver can compute quadratic, cubic, and quartic distortions to a normal perspective lens during the solve of a “real” shot, ie without any calibration grid. Can handle well-behaved anamorphic lenses, including barrel-pincushion.
• Line-based manual adjustment.

Object Separation

• Automatically select trackers only within a green-screen region
• Set up regions for each moving object or garbage mattes for actors, for example
• Keyframe-animated splines to define regions
• Quick square and circle spline setup
• Import spline control points from tracker paths for rapid setup
• Animated enables for splines
• Use a rotoscoped alpha-channel
• Show roto-spline or greenscreen results in the camera view as a checkerboard or binary matte.
• Can store roto-spline and green-screen mattes to disk

Geometric Hierarchy Tracking

• Powerful and flexible toolset for tracking hierarchies of moving parts in 3D. For example, kinematic chains such as articulated arms, car doors, or pizza boxes; or secondary tracking such as jaws, eyebrows, and bellies.
• Directly tracks supplied meshes, or works from normal (supervised) trackers
• Creates animated deformations of a single mesh, or animated assemblies of individual meshes, or both
• Multi-level hierarchies, such as hands to forearm to upper arm to shoulder…
• Tool to automatically generate weight maps for a rig.
• Tools to split bones and rearrange rigs to make a specified bone the root
• Can layer on top of conventional moving-object tracks to add secondary animation
• Integrates with motion capture shots for conversion to joint angles, ie for export to BVH
• Quick mesh pinning tool for setup and field of view determination
• Filmbox FBX import and export of animated FbxSkin deforming rigs, including vertex weight maps
• BVH import for rapid setup from existing rigs in other applications
• Vertex weight setup with surface lasso, through lasso, paint, airbrush, blur, and checking tools, or imported images
• Mesh smudge and relax tools for manipulating reference meshes to match a shot for subsequent tracking etc
• Can write an “unwrapped mesh” image to guide external painting
• Animated joint locking for editing paths, even changing kinematics during a shot
• Distance lock for low-perspective shots
• Self-occlusion and occlusion from other meshes
• Garbage and alpha masks
• Error curve mini-view shows tracking figure of merit while tracking
• Pass-through vertex numbering available to match vertex caches in other applications.
• Mesh replacement tool preserves vertex weight painting even when changing to a substantially different revised mesh.

Solving

• High performance to accommodate shots with many thousands of frames and trackers (on suitable computers)
• Fixed or zooming lenses with no requirement for on-set information
• Multiple advanced lens models, including Radial-4, Anamorphic-6 (pro version), and fisheye types (cropped fisheye lenses are typical for action cams, drones, and surveillance cameras).
• Native 360VR solving — see the 360 VR section.
• Can solve for the rolling-shutter value, or compensate for a known one, to produce an idealized solve for a non-rolling camera.
• Per-axis animated soft or hard locks for cameras or moving objects
• Animated soft or hard field of view (FOV, ie zoom) locking
• Animated lens distortion parameters, especially keyed-frame animation with linear interpolation, for generating smooth solves without distortion-induced jitter.
• Anamorphic distance solving, to address this challenging issue, which can’t be described with a traditional 2-D distortion.
• Flexible camera/camera locking controls for stereo—work with varying IOD and vergence
• “Overall distance” constraint for camera/origin or object/camera distance allows smooth control over this jittery direction, especially for low-perspective object tracks.
• Solver controls to emphasize rapidly stopping the solve for operator intervention and repair (or for continuing as best possible)
• Tracker monitoring during solving for increased robustness
• Object and tracker weighting
• Zero-weighted trackers: 3-D positions without affecting the camera path. Used for instant position calculation during tracking. Stereo version also
• Zero-weighted frames: marginal frames (for example with high blur) can be prevented from compromising the rest of the solve
• Skip-frame track for auto-tracking and solving
• Frame-decimated solves
• Controlled post-solve camera/object path filtering
• Post-solve tracker clean-up tool, can be run automatically
• Refine previously-computed solutions, for rapid tweaking
• Rapidly create additional trackers with specified accuracies after initial solve
• Coalesce co-located trackers: trackers on the same image feature, but typically during different sections of the shot
• Light solver to determine light position or direction from ray or planar geometry, or from a reflection from a mesh
• Unsolve tool, to remove compromised portions of a long solve before restarting it
• PHASES for controllable and repeatable node-based solver strategy setup, documentation, and re-use. (Phases not supported in Intro version)
• Phase-based methods to set up a coordinate system, including Set Horizon or Set Heading, Linearize to any straight line for dolly shots, and easy scene scaling from camera height or distance to tracker.
• Novel phase-based techniques for setting relative scale of shots with moving cameras AND moving objects.
• Phase view and panel, graph editor interface, and Sizzle scripting interface. Phase configuration copy/paste, open/save, and a user phase library.

360° Virtual Reality

SynthEyes supports an entire workflow for stabilizing 360VR shots and inserting 3D objects into them. See the 12-part 2-hour 360VR tutorial and the follow-on when we added native 360VR solving.

• Supports standard monocular 360°x180° spherical equirectangular images. (Smaller formats such as 360×120 can be padded to the nominal size.) Read about stereo 360VR.
• Can use image maps for easy fisheye to 360VR conversion. Generate maps via calibration or from detailed manufacturer data (esp. Entaniya).
• Workflow for simple VR stabilization.
• Direct omnidirectional native 360VR solving.
• Or, convert 360VR shots to linear for tracking.
• Absolute world stabilization from a 3D solve, so the viewer sees an easy-to-understand consistent relationship between the virtual world and their real world.
• Many ways to do horizon alignment, for example based on a 3D coordinate setup or a golden frame.
• 360VR integrated into full 3D scene exports to After Effects, Blender, Fusion, Lightwave, and Modo.
• Export numeric 360° VR stabilization information to After Effects; use an included SynthEyes effect plugin, or those built into AE CC2018 and later, to stabilize the images within After Effects (ie with no SynthEyes render).
• Similar 360° VR stabilization exports for Fusion (including free) and Hitfilm. These do not require any extra plugins.
• 360VR object tracking: independently-moving cars, boats, planes, etc visible in the camera image.
• Zero-weighted trackers solved directly from 360 VR tracks.
• Add Many, Tracker Cleanup, Coalesce in 3-D, Drop on Mesh, Error View, Texture Extraction, Tracker Radar all support 360VR.
• Able to align the VR camera relative the camera path if desired.
• Generate additional perspective cameras that closely track inserted meshes, for fast and efficient rendering even by conventional non-360° rendering applications.
• Able to convert those conventional rendered images into 360° VR.
• Display of meshes correctly over 360VR images in the camera view.
• Able to generate quick 360VR preview movies from the camera view.
• Built-in a spherical screen for viewing 360° VR shots in the perspective view, and for export to other applications.
• Can create a spherical screen for exporting 360° VR shots for viewing in other applications.
• Export 360° VR stabilization information as image distortion map sequences for use in other applications supporting distortion maps.

ViewShift System

• Advanced integrated camera mapping and rendering system takes advantage of match-moved 3D camera paths and set models.
• Object removals against arbitrary reflector meshes, not just planes (texture coordinates not required).
• Combine split takes to a single shot.
• Quick setup tools for working from a single clean plate, instead of an entire (same or different) shot.
• Integrated illumination compensation for better matching, based on measured scene illumination.
• Multiple timing modes including automated source-frame determination to avoid overlap conflicts.
• Same-direction mode for split tripod shots.
• Control via animated splines or mesh outlines.
• Multiple output modes for quick previews, downstream compositing, or downstream resampling (via STMap-type distortion maps).
• Integrated anti-aliased matte generation with contracted and/or expanded softening.
• Produce animated texture maps from arbitrary meshes (with texture coordinates).
• Set up multiple independent ViewShift outputs, or daisy-chain especially for previews.

Stabilization

• Stabilization capabilities are built into the image preprocessor including normal (with lens distortion) and 360VR shots
• Stabilization driven by full 3D solves, or approximate 2D tracking data
• Manual adjustments as needed
• Automatic “zoom” determination for normal shots (multiple modes)
• Stabilization rig creator for non-360VR shots creates a “physical” equivalent for the stabilization, so downstream 3D packages can perform the actual stabilization
• Export of 360VR stabilization data directly to supported packages including After Effects, Fusion, and Hitfilm
• Setup of 360VR stabilization as an animated textured sphere for alternative export.
• Integrated resampling to other output resolutions and aspects

Coordinate System Setup

• Auto-placement tool analyzes scene structure to create a good initial scene coordinate system
• Quick precision setup wizard — click 3 trackers, then realign
• Easy manual complete-scene re-positioning and scaling
• Line-based alignment system for nodal-tripod and lock-off shots, or use the mesh pinning tool in its camera setting
• Flexible coordinate system alignment controls for complex situations
• Constrained Points (Axis Control) view for quickly examining coordinate system settings of all trackers at once, with right-click menu for modifications
• Coordinate placement methods based on camera positioning
• Select the desired solution using coordinate polarity controls when several solutions are possible
• Exact constraints for survey data, including infrequent GPS waypoints
• Distance constraints to utilize on-set sizing measurements
• Coordinate system setup before or after solving

Set Reconstruction

• Texture-extraction subsystem uses all (or specified) images in the sequence for high-quality results.
• Multiple extraction modes suitable for different shot types.
• Supports 360VR input, including quick conversion from fisheye to 360VR: wide field of view makes on-set photography coverage easier.
• Intro version: extract textures to a maximum resolution of 2048×2048
• Mesh-to-mesh blocking of textures
• Garbage matting for textures
• Automatic alpha-channel creation for extracted textures
• Alpha channel painting
• Add-Card with lasso and robust automatic plane-fitting
• Light direction and position determination from ray or planar geometry, or even a reflection from a mesh
• Light illumination level measurement for shots with rapidly-varying lighting
• Mesh-building commands to turn a collection of trackers into an exportable 3-D mesh, to build shadow catchers and proxy geometry
• Assemble-mesh mode for quick mesh building
• “Far meshes” allow reasonable-size meshes to hold distant backdrops
• “Punch-in” tool for adding trackers to meshes
• Smudge and relax tools for adjusting meshes to better match imagery.
• Linkage system between trackers and the vertices they create in meshes
• Pinning tool for aligning meshes to single frames
• Alignment tools for aligning meshes to trackers, or the entire scene to a mesh

Graph Editor

• Graph and track editing for monitoring and cleanup
• Works on trackers, cameras, moving objects, image preprocessor
• Sort trackers alphabetically, by error, by history, or by lifespan
• Advanced multi-curve display
• Squished-track view and other features to learn about the entire shot at a glance
• “Number zone” showing changable numeric channel values for the current frame.
• Quick glitch fixing and tracker splitting
• Bake animation to keys, or decimate keys to spline
• Embed in viewport, or floating; any number at once
• Separate mini-view shows a color-coded error curve and numeric value for the selected tracker(s), the overall total error curve, or the tracking figure of merit for an individual tracker while tracking.

Perspective Window

• Navigate the 3-D scene independent of the solved camera. Native or Maya-style navigation.
• Projection screens with green-screen or alpha keying permit better previewing of scenes. Can lock to a specific location in 3D.
• Projection screens can dynamically remove distortion or convert 360VR to linear.
• Place seed points on imported meshes/lidar to aid tough object tracks.
• Use mesh planes for clipping lidar data vertex selection.
• Anaglyph, Interlaced, and Left-over-Right stereo display in perspective views (including for 3-D viewing of non-stereo shots).
• Create preview movies from the tracked camera for real-time playback, including antialiasing and motion blur, plus timecode, timestamp, or frame number burn-in.
• Create separate non-tracked render cameras to show the 3-D environment from a separate viewpoint, with or without hand camera animation.
• Preview movies can be written as sequences with alpha for downstream compositing (useful for dynamic texturing effects).
• Lit or unlit texture display with alpha and alpha only and front-projection onto meshes.
• Shaded, outlined shaded, wireframe, occluded wireframe, or cartoon outline wireframe display modes.
• Depth map outputs.
• Shadow-casting onto the ground plane or constructed mesh(es). Can create a shadow map texture for a mesh that can be written to disk for use in other applications.
• Object-manipulation handles.

Images In/Out

• Image Input: ARRIRAW (.ARI or .MXF), AVI*, Blackmagic RAW .BRAW, BMP, Cineon, CinemaDNG/DNG**, DPX, DV*, JPEG, MPEG, QuickTime™ (Apple) MOV*, MP4*, OpenEXR, Photoshop PSD, PNG, Apple ProRes™ (.mov, all platforms), RED R3D (GPU-accelerated), SGI RGB, Targa, TIFF, WMV (Win). RED SDK 8.0.0 support includes Komodo, Helium, Dragon, HDR and RED ROCKET and OpenCL/CUDA decoding. Lidar .XYZ import including per-vertex RGB.
• Apple ProRes™ movies may be read and written on Windows and Linux SynthEyes versions, in addition to macOS, with all codecs from ProRes Proxy to full ProRes 4444 XQ, including 16-bit/channel data and an alpha channel.
• Reading and writing HEVC/H.265 requires Win 10 Creator’s Edition (1703), macOS 10.13 (High Sierra), or later.
• Important Note for reading HEVC/H.265 .mp4 files on Windows 10: Microsoft has (re)moved HEVC/H.265 support for some users to an optional Windows Store Download, due to some licensing issue. Try HEVC Video Extensions from Device Manufacturer (Free) or HEVC Video Extensions ($0.99). See also the note below.
• Image Output: ASF (Win), AVI (Win), BMP, Cineon, DPX, JPEG, MOV*, MP4 (Win), OpenEXR, PNG, Apple ProRes™ (.mov, all platforms), SGI, Targa, TIFF, WMV (Win).
• Pro version: Any practical resolution, image or pixel aspect ratio (no resolution limits), ie SD, HD, 2K, 3K, 4K, 5K, 6K, 8K, ….
• Intro version: maximum of 1920×1080 HD.
• 8 bits/channel, 16 bits/channel, “half” (16 bit) floating, and 32-bit floating-point. Availability varies based on image type.
• Metadata extraction and writing for select image types. Ability to use a tandem file for metadata.
• Timecode extraction with burn-in to camera and perspective views, and on Save Sequence and Preview Movies.

Meshes In/Out

• Import and export 3-D mesh formats: OBJ, Filmbox 2018.1, Lightwave Object(LWO), COLLADA(DAE), DXF, PTS and XYZ Lidar, SynthEyes SBM, 3DS (import only).
• Meshes can be placed in a per-user or system-wide Custom Meshes folder, for quick insertion into SynthEyes scenes on par with basic cubes, spheres, etc.
• Vertex caches in/out: Alembic .abc, Maya .mcx, Lightwave .mdd, 3dsmax .pc2 (Not in Intro version). Also: output embedded in USD files.

Scripting

• Synthia, our revolutionary natural language intelligent assistant with spoken and typed input.
• SIZZLE™ scripting language, so you can modify existing exporters, or add new importers, tools, or exporters. (Some functions limited in Intro version).
• Python API/SDK (Pro Version) Versions for Python 2 and Python 3.
• Extensive Sizzle script access to the scene, including image preprocessor system.
• Detachable free-floating Sizzle script user-interfaces. Scripts and Synthia commands on toolbars, with keyboard accelerators.
• Start-up, File/New, and Post-solve Python, Sizzle, or Synthia scripts.
• Directory paths for studio- and project-specific scripts.
• JSON, XML and YAML reading and writing functions for accessing shot metadata and communicating with other tools.
• HTTP Get/Post.
• Access and pass ‘global’ variables from one Sizzle script to another.
• “System” call to interact with other applications and shell scripts.

Workflow and User Interface

• Stand-alone 64-bit application for Windows, Mac, or Linux. See system recommendations.
• Extensive multi-threaded/multi-core and AVX optimization throughout the application; tuned for efficient operation on machines with many cores.
• Multi-shot batch processing for unattended track/solve or sequence writing
• Scene summary generator and “Notes” for communication between tracking artists and supervisors
• Multi-way Branching Undo capability allows you to try and get back to different alternatives
• File-information dialog for comments and image and mesh version tracking
• Merge tracked files
• Scrubbable and real-time RAM Buffer Playback with 3-D CG object overlays
• “Rooms”-based approach for quick and flexible view configuration
• High-DPI per-monitor support on Windows, Retina mode support on macOS. Linux version supports a system-wide high-DPI adjustment.
• User-alterable layout specification language (XML-based). Option for panel on the right, for example.
• Handy free-floating toolbars and manager
• Configurable keyboard mapping
• Configurable viewport layouts
• Configurable shot presets
• Configurable coordinate system definition (Max, Maya, Lightwave)
• All views and control panels can be floated, if desired.
• Hierarchy view for examining, cloning, and changing parenting etc
• Extensive preferences panel with many user-alterable parameters and colors. Able to save preferences to a file and reload on the same or different machine.
• PrepSet Manager to save your standardized image preprocessor presets for reuse in other shots or projects.
• File re-finding after projects have been moved.
• Highly configurable file auto-save and auto-increment for versioning
• Interface can be slimmed down as a RAM player, including user-configurable safe area display
• Customer care center featuring automatic downloads of new versions, messaging system, and feature suggestion system
• Translated hover-over tooltips for 25 different languages, to facilitate usage by non-native-English users.
• Unicode UTF-8 support in files, tracker/mesh/object/etc names, user-written notes, etc. OpenGL-based windows (vary by OS) can display only latin/roman-based character sets, unless specialized font data is available (currently available only for Hiragana).

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Recommended System Specification

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